Award Contenders Enlist Light Iron for Post Services; Popular Series Utilize Facilities Across North America
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
Light Iron, a Panavision company, has announced Jeremy Sawyer’s return to its Los Angeles facility as a senior colorist.
Learn more about the artistic choices made by cinematographer Abe Martinez and his seamless collaboration with multiple Light Iron offices across the country.
Cinematographer Matthew Clark on working with Director Nisha Ganatra and bringing the look of Late Night to life.
Over 25 buzzworthy titles in the 2019 Sundance Lineup entrusted Panavision and Light Iron for camera, lens, and finishing expertise.
M. David Mullen, ASC discusses his creative and technical approach for crafting the look of The Marvelous Mrs. Maisel.
Light Iron LA welcomes Senior Colorist Nicholas Hasson to the team during a time of high-profile streaming releases.
StudioDaily’s Exceptional Women hail from all corners of the media industry, from creatives and craftspeople to executives and engineers.
IBC365 asks Senior Colorist Corinne Bogdanowicz about her experiences grading in HDR.
Post Perspective chats with Light Iron Co-Founder Katie Fellion about the rising demand for HDR finishing, and the robust tools and storage it requires.
SVP of Innovation Michael Cioni talks with James Mathers about large format cinematography and AI in post production.
Director of Marketing Laura Pursley stops by Post TV at NAB to give the latest scoop on Light Iron’s expansion and DXL2.
Broadcast Beat shares the speaking and demo schedule for Light Iron and Panavision representatives at this industry-leading conference.
American Cinematographer covers Light Iron’s Georgia expansion.
Post Magazine interviews Light Iron’s VP of Engineering, Jeff Sengpiehl, on the complex storage solutions needed to accommodate feature and episodic clients across six facilities.
Pro Video Coalition spotlights “The Beauty of 8K Large Format” at SXSW 2018, presented by Light Iron New York’s Senior Colorist Sean Dunckley and Panavision’s Dan Sasaki and Aaron Kroger.
High-Def Digest attends a thought-provoking panel discussion including Light Iron New York’s Supervising Colorist Steven Bodner.
Studio Daily chats with Colorist Ian Vertovec about the art and science behind hit Netflix series GLOW.
No Film School reports on the newest lenses and HDR tools expanding DXL’s ecosystem, including Light Iron’s HDR Village Cart – all unveiled at a special preview held at Light Iron before Cine Gear 2017.
British Cinematographer Magazine talks with Michael Cioni about how he got his start, and what it means to be “Technative”.