Creating the Look of Late Night

  A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in...

Making Mrs. Maisel Look Marvelous

Source: Panavision   If you’ve got a winning recipe then you don’t change ingredients. Amazon’s second season of The Marvelous Mrs. Maisel wisely kept faith with the talent in front and behind the camera which made the period comedy drama an Emmy®-winning smash....

Senior Colorist Nicholas Hasson Joins Light Iron’s LA Team

Source: Post Perspective   October 29, 2018 Post house Light Iron has added senior colorist Nicholas Hasson to its roster. He will be based in the company’s Los Angeles studio. Hasson colored the upcoming Tiffany Haddish feature Nobody’s Fool and Season 2 of...

Storage Solutions for Post

Post Magazine interviews Light Iron’s VP of Engineering, Jeff Sengpiehl, on the complex storage solutions needed to accommodate feature and episodic clients across six facilities.

Explore 8K with Panavision at SXSW 2018

Pro Video Coalition spotlights “The Beauty of 8K Large Format” at SXSW 2018, presented by Light Iron New York’s Senior Colorist Sean Dunckley and Panavision’s Dan Sasaki and Aaron Kroger.

The Technative

British Cinematographer Magazine talks with Michael Cioni about how he got his start, and what it means to be “Technative”.