Studio Daily chats with Colorist Ian Vertovec about the art and science behind hit Netflix series GLOW.
It’s undeniable that HDR is an important industry trend, with mega-players like Netflix and Amazon requiring HDR masters in their delivery specs.
No Film School reports on the newest lenses and HDR tools expanding DXL’s ecosystem, including Light Iron’s HDR Village Cart – all unveiled at a special preview held at Light Iron before Cine Gear 2017.
Congratulations to our clients showcasing their work at this year’s festival. Light Iron celebrates your successes.
Find out where you can see Light Iron and Panavision representatives speaking, and where to get hands-on demos of the Millennium DXL.
British Cinematographer Magazine talks with Michael Cioni about how he got his start, and what it means to be “Technative”.
From the 2016 PGA “Produced By” conference in Los Angeles, Light Iron’s Michael Cioni and Katie Fellion led a dynamic presentation and panel discussion about delivering content that’s not just backwards-compatible, but forwards-compatible as well.
Post Perspective talks with veteran post professional Josh Haynie about his newly created role as VP of U.S. Operations.
The following is a collection of stories highlighting the special relationship between our colorists and some of the talented creatives we have been fortunate to work with.
Light Iron’s Michael Cioni on the Panavision DXL: “the most advanced digital cinema camera ever made.”
RedShark News examines the camera that broke Cine Gear 2016.