Post Magazine asks Michael Cioni to predict the future of broadband content.
Variety examines Light Iron's first brick-and-mortar co-location with Panavision.
Michael Cioni explains why a monitor that encompasses UHD, HDR, and WCG is important for professional color grading.
Congratulations to our clients nominated for Golden Globe Awards.
Post Magazine discusses the addition of colorist Jeremy Sawyer and upcoming television projects.
Oz Magazine talks with Light Iron's Paul Geffre about digital dailies and our OUTPOST mobile services available in Atlanta.
Post Magazine talks about Light Iron's growth with VP of Operations, Megan Marquis.
Broadcasting Engineering Extra speaks with Katie Hinsen about HDR, in preparation for her presentation at the CCW Expo.
AOL On reviews the 2016 fleet of Land Rover vehicles with a series of videos starring Adam Ferrara (Top Gear), colored by Light Iron NY's Sean Dunckley.
ICG Magazine explores the world of Jem and the Holograms in their annual workflow issue.
Post Magazine chats with Light Iron's Michael Cioni, discussing the importance of display calibration throughout production and post production.
StudioDaily reviews Panavision's redesign of OUTPOST mobile post-production system.
SHOOT Magazine reviews the annual expo, including presentations and booth exhibits by Panavision and Light Iron.
Arri interviews Paul Sage about the Digital Intermediate process when working with Alexa footage.
The American Society of Media Photographers interviews Katie Hinsen for their online magazine, Sharpen.
Michael Cioni of Light Iron highlights the latest firmware of the VariCam 35, which made its debut at NAB 2015.
Definition Magazine takes a deep dive into the workflow of Focus.
Marc Loftus, Senior Editor at Post Magazine, interviews Michael Cioni for PostTV while at NAB 2015.
Post magazine interviews Paul Geffre about the evolving nature of the Digital Intermediate.
Michael Cioni is quoted in this Red Shark News article about the (age-old) debate: Film vs. Digital.