TheWrap asks Michael Cioni about how digital production changes post production.
Since 2008, a significant number of post production houses seemed to have disappeared. Some have been sold at a loss, others were merged with a group of pre-existing facilities, some were liquidated, one I know of simply changed its name, and a few just went out of business.
As IBC 2010 begins, there are a number of products that are going to be released, announced, and examined closely. One of which that I think will deserve all the recognition it is going to get is Dolby’s new color grading monitor.
I’m pleased to announce that the final color on David Fincher’s The Social Network is complete and on 35mm film.
Since 2007, I have produced and edited 8 company reels for the RED Digital Cinema camera company. Most of the reels coincide with special event exhibitions – such as IBC, NAB, or in-house RED events and play all over the world…